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Chemmeen tells the story of the relationship between Karutthamma, a Hindu woman from the fisherfolk community, and Pareekkutty, the son of a Muslim fish wholesaler. Unable to live with the man she loves, Karutthamma marries Palani, who, despite the scandal about his wife\’s past, never stops trusting her, a trust that is reaffirmed each time he goes to sea and comes back safe since the \’sea-mother\’ myth among the fishermen community goes that the safe return of a fisherman depends on the fidelity of his wife. Then, one night, Karutthamma and Pareekkutty meet and their love is rekindled while Palani is at sea, baiting a shark …
In a café by the seaside, two friends, Christy Andrapper and Jesintha, witness the murder of a young man. When Christy discovers that it was Senthil, his classmate from school, who had been shot, he tries to follow up on the investigation. But the police deny such a crime ever took place. The hospital to which Senthil’s body was delivered insists he died of a heart attack.
Christy begins to suspect a conspiracy. Was he caught in the middle of a giant cover-up? How was his powerful family connected with it? As the mystery deepens, the story moves back and forth between the archipelago of Diego Garcia and peninsular India, delving into the very heart of early Christianity in India.
After the success and acclaim of Goat Days, Benyamin crafts a clever and absorbing crime-novel-within-a-novel that is dazzlingly inventive and hugely enjoyable.
The novel tells the story of Govindankutty, a young unemployed Nair boy. When his wealthy brother-in-law takes him on as the manager of his property, and a marriage is arranged for him, Govindankutty dares to dream for the first time in his life. He brings his bride home, eager to start life afresh, but discovers to his horror that she is already pregnant by another man-his urbane lawyer-cousin Krishnettan. Shattered by the knowledge that his family had connived to betray him, Govindankutty goes berserk. Finally, estranged from home and village, he converts to Islam in the ultimate gesture of defiance. Tautly written and brilliantly characterized, The Demon Seed is a powerful novel about a society in transition. The collection also brings together six of MT’s best stories, including ‘Vanaprastham’, The Jackal’s Wedding’ and ‘Sherlock’. Also included are ‘The Era of Ramanan’, an essay on the impact of the first modem verse romance in Malayalam, and a beautifully crafted piece on contemporary cinema.
Ann Marie reads fragments of her dead husband’s unfinished book, and the many love letters he sent her, and in them the social and political events of the time. As she ponders the writing and the years that the brilliant Jithendran squandered working for a toy company that makes drum-playing monkeys, the narrative gives way to the sweeping saga of a village by the river Periyar. Grappling with issues of equality, love, caste, religion and politics, Thachanakkara is a microcosm of twentieth-century Kerala. Told through the history of three generations of a feudal Nair family, this sprawling story is reminiscent of the craft of Gabriel Garcia Marquez’s A Hundred Years of Solitude and has the scale of Sunil Gangopadhyay’s Those Days. A Preface to Man is an artistic meditation on human existence and is a contemporary classic.
An alluringly graphic narration of a little-discussed chapter of Kerala’s and the world’s history: the migration of the black Jews to the promised land of Israel. It is a moving tale of the reluctant migrants torn between two loyalties: to their native soil and to their Jewish identity. Fiction here turns into a site for raising some of the vital ontological questions of the post-globalized world: about identity, being, becoming and belonging. A gripping novel that moves from the past to the future and from strange dreams to stranger reality.
The Legends Of Khasak revolves around an under-graduate dropout named Ravi, who has had an illicit affair. Overcome with guilt, the young man leaves behind a research offer from Princeton University, and goes off on a long pilgrimage. Ravi finds himself in Khasak, a remote village in the beautiful Palghat countryside of Kerala. His guilt and anguish make him go through an existential crisis as well.
In this new place, Ravi sets up a makeshift school with the help of the District Board s education initiative. The elders in the village see him as a threat, and doubt his intentions. The Legends Of Khasak describes Ravi s interaction with the villagers, as well as with the students of his school. Through these encounters, the author showcases many superstitions and myths that exist in this part of the world. The protagonist also realizes that karma follows a person, no matter where he goes.
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