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Winner of the International Man Booker Prize 2017.’ The setting is a comedy club in a small Israeli town. An audience that has come expecting an evening of amusement instead sees a comedian falling apart on stage; an act of disintegration, a man crumbling, as a matter of choice, before their eyes. They could get up and leave or boo and whistle and drive him from the stage, if they were not so drawn to glimpse his personal hell. Dovaleh G, a veteran stand-up comic – charming, erratic, repellent – exposes a wound he has been living with for years: a fateful and gruesome choice he had to make between the two people who were dearest to him. A Horse Walks into a Bar is a shocking and breath-taking read. Betrayals between lovers, the treachery of friends, guilt demanding redress. Flaying alive both himself and the people watching him, Dovaleh G provokes both revulsion and empathy from an audience that doesn’t know whether to laugh or cry – and all this in the presence of a former childhood friend who is trying to understand why he’s been summoned to this performance.
Did I Mention I Love You? is first in the sensational DIMILY trilogy, which follows sixteen-year-old Eden Munro as she travels from Portland to begrudgingly spend the summer with her father in the beachfront city of Santa Monica, California. Eden’s parents are divorced and have gone their separate ways, and now her father has a brand new family. For Eden, this means she’s about to meet three new step-brothers. The eldest of the three is Tyler Bruce, a troubled teenager with a short temper and a huge ego. Complete polar opposites, Eden quickly finds herself thrust into a world full of new experiences as Tyler’s group of friends take her under their wing. But the one thing she just can’t understand is Tyler, and the more she presses to figure out the truth about him, the more she finds herself falling for the one person she shouldn’t – her step-brother.
In 1498, when Vasco da Gama set foot in Kerala looking for Christians and spices, he unleashed a wave of political fury that would topple local powers like a house of cards. The cosmopolitan fabric of a vibrant trading society – with its Jewish and Arab merchants, Chinese pirate heroes and masterful Hindu Zamorins – was ripped apart, heralding an age of violence and bloodshed. One prince, however, emerged triumphant from this descent into chaos. Shrewdly marrying Western arms to Eastern strategy, Martanda Varma consecrated the dominion of Travancore, destined to become one of the most dutiful pillars of the British Raj. What followed was two centuries of internecine conflict in one of India’s premier princely states, culminating in a dynastic feud between two sisters battling to steer the fortunes of their house on the eve of Independence. Manu S. Pillai’s retelling of this sprawling saga focuses on the remarkable life and work of Sethu Lakshmi Bayi, the last – and forgotten – queen of the House of Travancore. The supporting cast includes the flamboyant painter Raja Ravi Varma and his wrathful wife, scheming matriarchs of ‘violent, profligate and sordid’ character, wife-swapping court favourites, vigilant English agents, quarrelling consorts and lustful kings. Extensively researched and vividly rendered, The Ivory Throne conjures up a dramatic world of political intrigues and factions, black magic and conspiracies, crafty ceremonies and splendorous temple treasures, all harnessed in a tragic contest for power and authority in the age of empire.
This book will show you how to:
The second edition includes three totally new chapters, over 200 more tips, and covers the latest in stroke prevention, medical treatment, and rehabilitation to help survivors transition from being a patient to returning to a life well-lived.
Genetic Instabilities and Neurological Diseases covers DNA repeat instability and neurological disorders, covering molecular mechanisms of repeat expansion, pathogenic mechanisms, clinical phenotype, parental gender effects, genotype-phenotype correlation, and diagnostic applications of the molecular data. This updated edition provides updates of these repeat expansion mutations, including the addition of many new chapters, and old chapters rewritten as extensions of the previous edition. This book is an invaluable reference source for neuroscientists, geneticists, neurologists, molecular biologists, genetic counsellors and students.
Cleopatra is one of the most famous women in history—and thanks to Shakespeare, one of the most intriguing personalities in literature. She is the lover of Marc Antony, defender of Egypt, and, perhaps most enduringly, a champion of life. Cleopatra is supremely vexing, tragic and complex. She has fascinated readers and audiences for centuries and has been played by the greatest actresses of their time, from Elizabeth Taylor to Vivien Leigh to Janet Suzman to Judi Dench.
The book was the winner of the Best Non-fiction Award by The Swedish Crime Writers’ Academy 2013 and shortlisted for The Great Non-Fiction Book Prize (Sweden’s biggest non-fiction award) in Sweden 2013.
In the seventy years of its independence, India has leapfrogged to become a high-growth economy fuelled by advanced business and consumer technologies.
Since smartphones and cloud computing became popular five years ago, the fourth industrial revolution has been creeping into almost all sectors of the Indian economy. Technologies like artificial intelligence, the Internet of Things (IoT), 3D printing, advanced robotics and neuroscience are transforming businesses faster than we realize.
Kranti Nation: India and the Fourth Industrial Revolution is the first book to chronicle, through more than fifty examples, how visionary leadership in Indian industry is deploying these technologies. From water pumps to railway coaches, chai shops to burger chains and telecom towers to warehouses, economic analyst Pranjal Sharma profiles organizations that have transformed their processes, products and services while delivering the best to consumers.
Lakshmi Bai Tilak was born in 1868 into a strict Maharashtrian Brahmin family in a village near Nashik. And at the age of eleven, she was married off to poet Narayan Waman Tilak, a man much older than her. In Smritichitre, Lakshmi Bai candidly describes her complex relationship with her husband—their constant bickering over his disregard for material possessions, which quite often left them penniless and his bouts of intense rage in these moments. But at the core of their relationship was their concern for society and the well-being of every human being, irrespective of caste, class or gender and their unwavering devotion to each other. Equally touching is her recounting of his conversion to Christianity which led to a separation of five long years. After their reunion, she, too, was gradually disillusioned with orthodox Hindu customs and caste divisions and converted to Christianity. After Narayan Tilak’s death in 1919, she came into her own as a matron in a girls’ hostel in Mumbai and later gathered enough courage to move to Karachi with her family. When first published in Marathi in 1934, Smritichitre became an instant classic. Lakshmi Bai’s honesty and her recounting of every difficulty she faced with unfailing humour make Smritichitre a memorable read. Shanta Gokhale’s masterly translation of this classic is the only complete one available in English.
From the early 1950s to the early ’60s, Malay Kumar Roy spent around ten years as a young boy in Hazaribagh in the Chhotanagpur district of Jharkhand, which was then a part of Bihar. In An Elsewhere Place, Roy reminisces about his life there—a place that ‘touches a boy forever’. In this memoir, he vividly describes Hazaribagh’s tranquil landscape, its changing seasons and its unhurried pace of life. We get a glimpse of a time gone by from Roy’s stories about sharing a crate of mangoes with the last Englishman living in Hazaribagh; a little bear cub tipsy on mahua flowers; a gravely injured fox cub that was nursed back to health by him and his family and a visitor from Calcutta who boasted about his detective skills and courage but lost steam upon seeing a dangerous criminal. And he revisits his schooldays at St Xavier’s School where his Jesuit mentors taught him the value of curiosity and discipline in life. Written in charming, spare prose, this collection evokes a gentle, easy-going time when man and nature existed in harmony; a time of friendships, wonder and grace.
An exemplary travelogue of danger and achievement by the Frenchwoman Madame Alexandra David–Neel of her 1923 expedition to Tibet, the fifth in her series of Asian travels, and her personal recounting of her journey to Lhasa, Tibet’s forbidden city.
Narrated in a huge variety of voices and styles, all of which blend seamlessly into a novel of remarkable accomplishment, The Book of Chocolate Saints is the sort of literary masterpiece that only comes along once in a very long time.
Darjeeling in the 1950s. Janak, a prominent businessman and local leader, stares at professional, political and moral ruin. His store is failing and he has been sued by Jayabilas—a Marwari trader, once his friend and business partner, to whom he owes money. Bhudev—Janak’s partner at the party which is working to organize workers—has triumphed over him in a bitter struggle for leadership. Janak’s son Ravi, of whom he expected better, has become a schoolteacher and is involved in party work in the tea estates—Janak is convinced that Bhudev is using Ravi to further undermine him. And, despite being in a blissful marriage with Sita, Janak is drawn to the charms of the Yamuna, the wife of an ailing friend. Then, tea-estate workers protesting the arrest of their comrades spontaneously march into town. They are joined by others along the way and the march quickly grows in size. But after the rally ends in a massacre by the police, Janak must find a way out of this morass to stand up and be counted once more. Capacious and prescient, There’s a Carnival Today is as much a panoramic view of post-Independence Darjeeling as it is of the sharply observed, flesh-and-blood characters who people it. It is also a foreshadowing of the issues of identity which still shape politics and attitudes in the region. Brilliantly translated by Manjushree Thapa, this seminal work by one of the tallest figures in contemporary Nepali literature is a modern classic.
Groups of nine are trapped in the visa office at an Indian Consulate after a massive earthquake in an American city. Two visa officers on the verge of an adulterous affair; Jiang, a Chinese–Indian woman in her last years; her gifted teenage granddaughter Lily; an ex-soldier haunted by guilt; Uma, an Indian–American girl bewildered by her parents’ decision to return to Kolkata after twenty years; Tariq, a young Muslim man angry with the new America; and an enraged and bitter elderly white couple. As they wait to be rescued—or to die—they begin to tell each other stories, each recalling ‘one amazing thing’ in their life, sharing things they have never spoken of before. Their tales are tragic and life-affirming, revealing what it means to be human and the incredible power of storytelling.
Shikari opens a window to a fiercely competitive corporate world where it is often difficult to distinguish between the hunter and the hunted. As the story of Nagappa, framed for causing a fire in the company’s factory, unfolds, it reveals more than the underbelly of workplace politics.
Much of what we know about the everyday life of the British Raj comes from Rudyard Kipling, one of the keenest observers of nineteenth-century India. He is at his best when writing about the men and women who worked, lived, loved and died together; their indiscretions and foibles; flirtations and passions. In this collection, we meet some of his most scandalous characters: Pluffles, a young subaltern who is rescued by beautiful Mrs Hauksbee, the toast of Simla, from following abjectly at wicked Mrs Reiver’s ’rickshaw wheels; Major and Mrs Vansuythen, whose arrival in a sleepy little town throws all the other couples, clandestine and legitimate, into disarray; Janki Meah, the blind old miner, whose pretty young wife is more interested in his burly crewmate and Suket Singh, Sepoy of the Punjab Native Infantry and Athira, burning in their passion for each other, forever. In these sparkling, mischievous and touching stories, British India’s bureaucrats, soldiers, grass widows and native wives dance, drink and indulge through the hills of Simla, across small towns scattered from Burma to Coimbatore and in the opium dens of Lahore. Here, the most entertaining writer of the Raj era is at the top of his form.
Sister of the Light, Sister of the Dark. The Slave Queen, Death’s Mistress.Nicci has gone by many names and faced many challenges. But that’s in the past. Now, on the far horizons of a world forged anew, she must heed the witch woman’s words:and the sorceress must save the world’.As Nicci journeys into uncharted lands, she’ll face her greatest test yet. She’s saved the world before, but she’s never had to do it on her own.
King Karna is fried every morning to provide a fakir’s breakfast, but finds that there is a more generous ruler than he; Raja Rasalu becomes a Jogi just for a glimpse of the fair Queen Sundaran; a rat thinks he drives a good bargain but is astonished when his bargaining brings him a bride and a bulbul pines for green chilies from the garden of a Jinn. These folktales and many others from all over North India were collected by Flora Annie Steel in the nineteenth century. Today, they are an invaluable snapshot of a bygone era; they evoke the timeless India of myth and legend, peopled with talking animals, powerful fakirs and heroic kings, where anything can happen and usually does. Charmingly illustrated by John Lockwood Kipling, father of Rudyard Kipling and complete with original verses in Hindi and Punjabi, Shehzadi Mircha: Folktales from the Punjab is a delightful book for adults and young readers alike.
An introverted, middle-aged spinster, Roo or Rudrakshi Sen, lives with her mother and teaches English at a local school. Roo’s mother, semi-blind and a chronic invalid, lives most of the time in an imaginary world where she turns the grief of her husband’s death and their bizarre relationship into the belief that theirs was a happy, conventional marriage. Roo cultivates an aloof manner and distances herself from close relationships to stave off memories of her childhood and of Eeedee, the girl who entered her life as a six-year-old and left as a teenager—after one night that was to haunt and shape both their adult lives. When Kumar, a man much younger than her, enters Roo’s life out of nowhere, she is intensely attracted to him—an attraction she believes is reciprocal. She begins an affair with this mysterious stranger, knowing that all affairs end messily. It is her secrets she wants to shield. But her secrets and this man are inextricably linked. Shinie Antony’s sparse yet evocative prose gives strength to this haunting tale of twisted relationships.
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