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Gathered for the first time in English, and spanning his entire career, Vampire in Love offers a selection of the Spanish master Enrique Vila-Matas’s finest short stories. An effeminate, hunchbacked barber on the verge of death falls in love with a choirboy. A fledgling writer on barbiturates visits Marguerite Duras’s Paris apartment and watches his dinner companion slip into the abyss. An unsuspecting man receives a mysterious phone call from a lonely ophthalmologist, visits his abandoned villa, and is privy to a secret. The stories in Vampire in Love, selected and brilliantly translated by the renowned translator Margaret Jull Costa, are all told with Vila-Matas’s signature erudition and wit and his provocative questioning of the interrelation of art and life.
Meet Aniket. Twenty-seven, techie, Mr. Average. His best friend is Subbu, a nerd who breathes, thinks and lives code. Aniket cannot believe his luck when he starts dating Trish–a stunning, sexy model, who is totally out of his league. But Trish has a list of things she wants him to work on, beginning with his potbelly and his geekiness. Then there’s Nidhi, thirty-two, who has quit her corporate job to follow her passion. She is engaged to Manoj, Mr. Perfect–except for one aspect. Aniket and Nidhi meet on a train, a chance encounter, and she agrees to become his ‘relationship coach.’ It’s a decision that sets into motion a chain of events that will have a profound impact on the lives of all involved. One man, two women, and the trap called Destiny. Some things, they say, are all in the planets.
A book about being a teenager in Pakistan and India. Through letters we follow the lives of four girls, two wealthy and two poor, two Pakistani and two Indian. Two who know exactly what their future holds and two who are convinced that they will never measure up.
It all began when, viewing the preparations for independent India’s 60th birthday celebrations, & poised on her own sixth decade, Shobha Dé was struck by the thought: ‘Surely my life has taken the same trajectory as the country’s?’ In an intimate confession to her readers, she answers that question, & many more.
Can true love bring someone back from the dead? Akshara is left devastated by her mother’s death and spends most of her time in solitude at the local park. One day, as she is sobbing uncontrollably, a young man named Harry approaches her. They become friends and Harry recounts to her a story about the miraculous reunion of a young woman and her dead boyfriend to help ease some of her pain. The story makes Akshara hopeful that she can perhaps see her dead mother again. But she soon realizes that Harry isn’t what he seems to be. Even the characters in his story seem dubious, almost unreal. So what is he hiding? And why? Is there any truth to his story at all? In this darkly suspenseful romance mystery, Akshara is left facing a truth that will make her doubt not just Harry but herself as well . . .
An honest story of love, loss, and finally, acceptance. . . June 2013. The deadliest flood wipes out Uttarakhand. Along with innumerable pilgrims travelling to Kedarnath. Among the 100, 000 trapped and 5, 700 presumed dead were 2 people who meant everything to Pooja: her parents. But no news of or from them for weeks could only mean that they were gone. Forever. So, how do you say goodbye without closure? You sink. Deep into the abyss of grief. And as commonly said, ‘When it rains, it pours. Barely swimming through the storm of loss, Pooja tries every route to recovery—therapy, alcohol, drugs. The aftermath is a no?holds?barred account of a daughter who herself becomes a wreck after the natural disaster. The Last Pilgrims is a true story of love, loss, and finally, acceptance.
Veerappan: Chasing the Brigand is a lucid and incisive account of the rise and fall of India’s most dreaded forest brigand. Chronicled by K. Vijay Kumar, IPS, the man who spearheaded the Tamil Nadu Special Task Force (STF) that planned and executed the dreaded bandit’s encounter, the book relives the various incidents that shaped Veerappan’s life – from his birth in Gopinatham in 1952 to his death in 2004 in a shootout in Padi.
Jami is the Gigolo King of Kalkatta. Smuggled into India from Bangladesh and given refuge by his uncle, a leader of the ruling Communist Party, he grows up in Zakaria Street—a Little Baghdad of the old—dreaming of becoming a pukka Kalkatta-wallah. When friendship with a local gang disqualifies him from school, he ends up as assistant to a passport forger, and then a masseur. Soon enough, innocent massage leads to ‘plus plus treatments’, and Kalkatta opens its doors, drawing Jami into the world of the rich and famous, housewives, tourists and travelling executives, and occasionally to high-paying and dangerous ‘parties’.
Filled with wonderful insights, sharp observations, humour and real-life examples, and written in her trademark lucid style, Preeti Shenoy brings to this book a perceptiveness about love and friendship that has made her the country’s highest-selling woman writer.
Author weaves the story around a guy named Aman, who finds love the second time with Anjali, but his past with Shruti still lingers on in the depth of his heart. Aman and Shurti were inseparable once. Both saw future in each other. One unfortunate day Shruti breaks up with Aman. Shattered, he leaves the country.
Shruti marries Rishabh. Aman returns after a while and finds Anjali. With a heart filled with love for Shruti, Aman tries to make a new start. He feels affection for Anjali, but his wounded heart has not healed yet. Based on the beat of true love, a heart touching and moving story of knotty relationships and enclosed emotions – The One You Cannot Have.
The Golden Gate is a brilliantly achieved novel written in verse. Set in the 1980s in the affluence and sunshine of California’s Silicon Valley, it is an exuberant and witty story of twenty-somethings looking for love, pleasure and the meaning of life. It was awarded the 1986 British Airways Commonwealth Poetry Prize.
Thirteen scholars–including John F. Haught, Ursula King, and John C. Haughey, SJ–“take off” from where Teilhard de Chardin “left off,” opening new windows to the divine mystery, to the evolving person, and to the new energies of love needed for the forward movement of life.
The military is entrenched in the corporate sector and controls the country’s largest companies and large tracts of real estate. So Pakistan’s companies and its main assets are in the hands of a tiny minority of senior army officials. Siddiqa examines this military economy and the consequences of merging the military and corporate sectors. Does democracy have a future in the new Pakistan? Will the generals ever withdraw to the barracks. Military Inc. analyzes the internal and external dynamics of this gradual power-building and the impact that it is having on Pakistan’s political and economic development.
An ageing couple is stranded in a stultifying Delhi summer by the visit of a roguish old Oxford friend, who trades on his charm; an American woman turns to hippies living in the Indian hills, homesick for the farmlands of Vermont; a dog terrorizes the neighbourhood but is cherished by his stern master; a Delhi girl of slender means finds a new kind of freedom with her young friends, in her barsati home; a peaceful game of hide and seek turns into a nightmare; a businessman sees his own death.
Like so many other young Westerners in the 1960s and 1970s, Matteo leaves home to search for spiritual enlightenment in the ashrams of India. He believes he finds it at the feet of ‘the Mother’, but down-to-earth Sophie, who accompanies him, does not find her inspiring so much as mysterious, and decides to trace the Mother’s own story – from her travels with an Indian dance troupe in Paris, Venice and New York, to her search for divine love in India.
With their mother ill and their father permanently drunk, Hari and Lila have to earn the money to keep house and look after their two young sisters. In desperation, Hari runs away to Bombay and Lila is left to cope alone.
“Although it was shadowy and dark, Bim could see as well as by the clear light of day that she felt only love and yearning for them all, and if there were hurts, these gashes in her side that bled, then it was only because her love was imperfect and did not encompass them thoroughly enough, and because it had flaws and inadequacies and did not extend to all equally.”
In ‘The Museum of Final Journeys’ an unnamed government official is called upon to inspect a faded mansion of forgotten treasures, each sent home by the absent, itinerant master. As he is taken through the estate, wondering whether to save these precious relics, he reaches the final – greatest – gift of all, looming out of the shadows.
In ‘Translator, Translated’, middle-aged Prema meets her successful publisher friend Tara at a school reunion. Tara hires her as a translator, but Prema, buoyed by her work and the sense of purpose it brings, begins deliberately to blur the line between writer and translator, and in so doing risks unravelling her desires and achievements.
The final story is of Ravi, living hermit-like in the burnt-out shell of his family home high up in the Himalayan mountains. He cultivates not only silence and solitude but a secret hidden away in the woods, concealed from sight. When a film crew from Delhi intrude upon his seclusion, it compels him to withdraw even further until he magically and elusively disappears…
Plain, unmarriageable Uma has failed to outgrow her childhood home, with its bittersweet treats of puri-alu and barfi. Overprotected and starved for a life, she is smothered by her overbearing parents, successful sister Aruna and Arun, the family’s disappointment of a son.
Calicut Books
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